PA Rigging /
L-Acoustics /
Kara / Flying a Standalone Array (Rigging)
Building Array 1
Place a full flight-case at the rigging location, remove the cover, and orient the first 3-KARA array (ARRAY#1, KARA#1-3) with its front face toward the audience.
Check the inter-enclosure connections in ARRAY#1 on both sides: front connecting points open and locked by 2 R-BLP in the yellow link holes; rear connecting points with the angle arm cursor at 0° and locked by 2 R-BLP.
On KARA#1, deploy the four arms on both sides: front arm rotated up, slid down, and secured with an R-BLP in the yellow link hole; rear arm slid to align the cursor with 5° (recommended so KARA#1's axis stays parallel to the M-BUMP) and secured with an R-BLP in the angle hole.
Remove the 4 R-BLP from the M-BUMP, place the M-BUMP onto ARRAY#1 aligning the 4 connecting points, and secure by reinserting the 4 R-BLP.
Place ARRAY#1 beneath the connecting points, attach the motor hook(s)/stinger(s) to the shackle(s), raise to a reachable height, and remove the flight-case from the rigging location.
With two people working simultaneously on each side, set ARRAY#1's inter-enclosure angles: grab KARA#3's back handle, remove KARA#2's rear top R-BLP, rotate KARA#2 to align the angle-arm cursor with the desired angle, secure with an R-BLP in the corresponding angle hole, then repeat for KARA#3.
Building Array 2
Place a second full flight-case, remove the cover, and orient the second 3-KARA array (ARRAY#2, KARA#4-6) with its front face toward the audience.
Check the inter-enclosure connections in ARRAY#2 on both sides (same check as for ARRAY#1).
On KARA#4, take both front arms out on each side — remove the front top R-BLP, rotate the front arm up, and slide it down — without reinserting the R-BLP yet.
Raise ARRAY#1 slightly higher than ARRAY#2's front arms and place ARRAY#2 beneath ARRAY#1.
Connect the front connecting points between ARRAY#1 and ARRAY#2: slide KARA#4's front arms up to align with KARA#3's bottom front connecting points, move KARA#3's bottom R-BLP from storage into the bottom yellow link holes, lower the array until the KARA#3/KARA#4 front corners contact, and secure KARA#4's front arms with R-BLP in the top yellow link holes.
Raise the array to a reachable height and remove the flight-case from the rigging location.
With two people working simultaneously on each side, connect the rear connecting points between ARRAY#1 and ARRAY#2: remove KARA#4's rear top R-BLP from storage, slide the angle arm to the desired angle, secure with an R-BLP, grab KARA#6's back handle to rotate ARRAY#2 and align the KARA#3/KARA#4 rear connecting points, then move KARA#3's rear bottom R-BLP into the yellow link hole.
Set ARRAY#2's inter-enclosure angles by repeating the ARRAY#1 angle-setting method.
Source: KARA Modular WST System, Rigging Procedures, v1.1 (L-Acoustics, distributed
2010-10-21), Section 6.1, pp.13-19.
M-BUMP orientation
×
FLOWN
ID PLATE
readable, right-side up
GROUND-STACKED
ID PLATE
upside down on purpose
Same M-BUMP, opposite orientation depending on the job — flown, the plate reads
normally; ground-stacked, it mounts upside down. Both configurations still point the
laser slits at the audience.