I run a Midas M32C connected to a PC (rack-mounted Intel Core i5-10600k, NVIDIA GTX 1660, ROG Strix B460-I Gaming, 32GB RAM) for all my processing needs.

My setup includes a Midas DL251 stage box, offering 32 channels (and 16 redundant) of classic British analogue preamps and 32 channels of bi-directional audio over Dante. This setup gives me the flexibility to manage a large number of backing tracks, access DAW-based plugins (like Autotune and Waves), and ensure recording redundancy.

I use a MOTU Midi Express XT for SMPTE output and 8 in/9 out channels of MIDI, enabling show automation for audio, lighting, and video, to help enhance the overall performance.

The rear patch panel connects 32 inputs to the stage box and splits them to direct out, maintaining the perfect monitor mix while allowing full access to in-house consoles or premium touring rigs.

Up to eight individual artist mixes are provided thanks to four Sennheiser G3 transmitters so you can hear what you want when you want. If In ears aren't enouh I have 16 analogue outputs or 96 channels of AES50 covering you in even the trickiest of situations.

With audio over IP (Dante & AES50), my network hub provides direct access to system processing and easy console switching via compatible system processing such as Lake.

My primary DAW is Ableton Live and I have an extensive plugin library that allows me to emulate an immense variety of instruments, sounds and classic analogue equipment. I have variety of top brands such as Sounttoys, Waves, Arturia, Antares and Focusrite allowing me to recreate a immersurable blend of sounds.

I also run AVID Pro Tools for situations where I need more flexiblity, such as film audio or final mixdowns and mastering.

On top of my Audio software I am running QLC+ and MAonPC to control lighting rigs of any size. Paired with my MOTU I can also provide SMPTE and midi triggers to lighting operators for automation or timecode keeping the show in sync at all times.

I handle video mixing and sstreaming through StreamlabsOBS and Resolume Arena to syncronise video to your performance as well as broadcast it to a global audience.

I have production/engineering credits on various Jitwam releases, including the AMP Music Prize nominated, Third. Through these works I have also collaborated with artists such as Folamour, Cosmo's Midnight and many others.

I am established live sound engineer and have operated the console for a ist of world class artists such as Lil Pump, Sneaky Soundsystem, Will Sparks, Kiran J. Callinan, Jonti, Darude, Thandi Phoenix, Leon Bridges and Jitwam.

I have also mixed front of house and recorded a growing list of local independent artists such as Setwun, Josh Cashman, Steph Strings, Big Wheels, The All Mother, Yasmina Sadiki, Koda, Krystal Rivvers, Natalie Conway, Manalion and James Keith.

Cover bands I have worked with include Monkey Spanner, Simon Hill & the Hillbillies, Touch Crazy, The Stewart Booth Band, Pitch Black, The Ally Friendship Band, The Tempted, The Breakaways, Seedy Mackeral and the Steve Corey Band.